The film, penned by Luc Besson, explores themes of faith and redemption in 1990s Manhattan
Category: Arts & Culture
At the Venice Film Festival on September 6, 2026, the action film Father Joe made its debut, featuring Kiefer Sutherland as a vengeful priest battling crime in 1990s Little Italy, New York. Directed by Barthélémy Grossmann, this violent multifaith mob movie is scripted by renowned filmmaker Luc Besson, known for his contributions to both French and Hollywood cinema.
Father Joe immerses viewers in a gritty narrative set in an era defined by drugs and corruption. The film opens with the sounds of the Notorious B.I.G. echoing through a blinged-out town car, establishing the film's late-90s vibe. Veteran gangster Lino, played by Michael Rispoli, is introduced as he inspects a drug lab, only to be interrupted by Father Joe, who confronts him with a unique moral ultimatum.
Father Joe’s approach to crime is both unconventional and violent. He injects Lino with a homemade virus that becomes lethal within seven days, demanding that Lino attend weekly Communion at his church to receive the antidote. This bizarre twist sets the stage for a conflict that escalates as Father Joe’s operation begins to dismantle the local drug trade, attracting the ire of crime boss Giu, portrayed by Al Pacino.
Giu’s character is depicted as a cultured yet cruel drug lord, who, upon discovering the impact of Father Joe’s actions, confronts the priest in a confession booth. Their dialogue reveals a complex interplay of morality, as Giu asserts that they are both in the same business—selling to lost souls, albeit through very different means. This confrontation is a core moment in the film, highlighting the thematic exploration of good versus evil.
As the story progresses, the stakes rise with the disappearance of vulnerable local children, hinting at a darker side of the criminal underworld that may involve organ trafficking. The narrative shifts from drugs to a more sinister plot, echoing the chaotic storytelling style reminiscent of ’70s television shows.
Luc Besson, who wrote and produced the film, is celebrated for his ability to craft engaging narratives that often blend action with deep character exploration. His previous works include classics like The Fifth Element and Lucy, both of which showcase his unique storytelling style. In Father Joe, Besson collaborates with Grossmann, marking the latter's directorial debut. Grossmann previously made waves with the thriller Disorder, also produced by Besson.
The film's setting in 1990s Manhattan plays a key role in its narrative, as the city grapples with the duality of crime and redemption. Father Joe, a Vietnam War veteran, embodies the struggle against the temptations of a corrupt environment, using violence as a means to protect his community. His character is layered, shaped by personal tragedy, including the drug-related death of his daughter, which fuels his mission against the drug trade.
Ever Anderson stars as Felicity, a young woman caught between the allure of crime and the possibility of redemption under Father Joe’s guidance. Her character adds depth to the story, representing the youth affected by the choices of the adults around them. Together, these characters navigate a world rife with moral ambiguity, questioning the nature of good and evil.
Following its Venice premiere, Father Joe is generating buzz for its bold storytelling and high-octane action sequences. The film is being sold internationally by Kinology, indicating a strategic push for global audiences. With its unique premise and star-studded cast, it is positioned to attract attention in various markets.
Al Pacino, who could not attend the film's premiere, sent a video message expressing his regret at missing the event. He praised the film, acknowledging his excitement about working with Sutherland and Besson. In his message, he emphasized the importance of the Venice Film Festival, where he has previously screened films and experienced the vibrant atmosphere firsthand.
As the film continues to screen out of competition at the Venice Film Festival, it is unclear how audiences respond to its blend of action, humor, and darker themes. The film's exploration of faith, redemption, and the complexity of human nature resonates in a world where such themes are increasingly relevant. With its unique take on the mob genre, Father Joe will likely be a memorable entry in the cinematic canon.
In the coming months, the film will likely expand its reach, with potential screenings at other festivals and a planned theatrical release. As critics weigh in on its merits, the film's blend of violence and moral inquiry may spark conversations about the portrayal of faith in modern cinema.