The London Coliseum production features a dazzling performance from Strictly star Johannes Radebe, but struggles with its narrative and character depth.
Category: Arts & Culture
The London Coliseum is currently hosting a vibrant revival of the musical Kinky Boots, where Johannes Radebe, known for his standout performances on Strictly Come Dancing, takes center stage as the drag queen Lola. This production, running until July 11, 2026, showcases Radebe's undeniable charisma and talent, yet it grapples with a narrative that some critics describe as formulaic and lacking depth.
Kinky Boots, which has won six Tony Awards, three Olivier Awards, and was named Best Musical at both, is inspired by a true story about a struggling Northampton shoe factory that finds new life by producing high-heeled boots for drag queens. The show is based on the 2005 film of the same name, with music by Cyndi Lauper and a book by Harvey Fierstein. This revival, directed by Nikolai Fisher, features a cast that includes Matt Cardle, the 2010 X Factor winner, in the role of Charlie Price, the reluctant heir to the family business.
Radebe's portrayal of Lola is a highlight of the production, marked by his spectacular entrances—often rising from a trapdoor in a stunning crimson gown and blond wig, reminiscent of icons like Diana Ross and Whitney Houston. Critics have noted that Radebe's performance captivates with his dance moves and showcases his powerful singing voice, adding a layer of depth to the character. “Johannes is an absolutely inspired casting choice. The moment he steps onstage, the energy in the room shifts,” one review noted.
In stark comparison, Matt Cardle's performance as Charlie Price has received mixed reviews. Critics have described his portrayal as lacking the necessary charisma and showmanship that the role demands. One review pointed out that Cardle's performance was the opposite of Radebe's, calling it “charisn’tma.” This disparity has led to questions about the production's reliance on star power to draw audiences.
The plot revolves around Charlie's return to Northampton after his father's death, where he faces the challenge of saving the family business. Initially reluctant, he partners with Lola, leading to a comedic clash of cultures and a daring plan to revitalize the factory. The musical explores themes of acceptance and change, but some critics argue that the storytelling feels dated and overly simplistic, with a narrative that follows familiar tropes.
“The show’s message hasn’t lost any of its power over the last decade, though some of the dialogue hits differently now, especially in a climate where queer people are facing renewed hostility,” remarked another reviewer. The production's themes of friendship, individuality, and chosen family resonate strongly, yet the execution has been criticized for lacking emotional depth.
Cyndi Lauper’s score, which includes memorable numbers like “Not My Father’s Son,” has been described as tuneful, though some songs are seen as conventional. Critics noted that many of Lauper's lyrics rely on predictable rhymes and formulas, which detracts from the potential impact of the music. “The score’s poppy, rocky energy masks structural limits in the book,” one review stated.
Costume designers Robert Jones and Tom Rogers have been praised for their vibrant and extravagant designs, particularly the iconic boots that play a central role in the story. The visual spectacle of the production, with its riot of feathers and sparkle, complements Radebe’s dynamic performances, enhancing the theatrical experience.
Choreography by Leah Hill incorporates elements of Latin dance, adding flair to the production. A notable scene features a pasodoble boxing match between Lola and Don, played by Billy Roberts, which injects energy into the show. Critics have remarked that Radebe's dancing, infused with Latin flair, commands attention, making him a standout performer.
In one performance attended, Matt Cardle was unavailable, and understudy Liam Doyle stepped into the role of Charlie. This substitution highlighted the importance of stage chemistry, as the dynamic between Lola and Charlie is central to the emotional core of the narrative. Critics noted that the absence of Cardle shifted the performance's energy, raising questions about the production's reliance on its marquee casting.
As the revival continues at the London Coliseum, the interplay between star-driven spectacle and ensemble steadiness will be closely observed. The production has sparked conversations about casting decisions and the balance between star power and the need for strong character development. With its themes of acceptance and individuality, Kinky Boots remains a relevant and entertaining night out, even if it occasionally drifts toward the conventional.
In the words of Radebe's character, “Be yourself; everyone else is already taken.” This sentiment captures the heart of Kinky Boots, reminding audiences of the importance of embracing one's identity, even as the production navigates the challenges of its narrative structure and character depth.